2019 was pretty busy!
Cents and Sensibility was accepted to Alexandria Museum of Art exhibit,
Concrete and Adrift: On the Poverty Line.
Back Yard Beauty went to Mid-Alantic Quilt Festival in Pennsylvania.
Lichen hung at Bluebonnet Swamp Nature Center in Baton Rouge.
Too Raw (Too Soon Every Day to Talk About Gun Violence) was accepted to the Tom Peyton Arts Festival, and Alexandria Museum of Art September Competition, AND was awarded the purchase prize at the latter.
Feathers, Scales and Tails: Night Flight went to Quilteroo's in Ruston, La., and Bluebonnet Swamp Nature Center.
Fatsia Fantasy, Into the Woods, and
Leaf Party went to the Main Library and State Archive, both in Baton Rouge.
Her Eyes as Clear as Centuries went to
Sacred Threads.
Rhumba went to the Gallery One Ellleven
Annual Competition Show and won a merit award (and will be in
Curated Quilts in early 2020).
L'Homme Vert du Cyprie're and
The Woods Are Lovely, Dark and Deep hung at Louisiana State Arboretum in August.
Shuffle sold at the SAQA auction.
Thoughts and Prayers was accepted to
Collective (In)Action exhibit at Memorial Union Gallery, NDSU
Took a class in June with Wen Redmond, about digital printing on unusual substrates, and used my new knowledge to participate in SAQA's 100 day project.
These three quilts came home after a three year tour all over the US (and Birmingham, England) as part of
Fly Me To The Moon.
By the Light of the Silvery Moon, Moonlight Serenade, and
Moonlight Sonata.
A Suitable Boy toured libraries throughout the state all year, as part of a Contemporary Fiber Artists of Louisiana books exhibit.
Naiad and Dryad hung at the Ascension Parish Library, Dutchtown, for the month of December, as part od SAQA regional exhibit.
I also made two quilts, a doll, and a smocked romper for my granddaughter. I've already got plans for 2020!
